Even before I flipped to the first chapter, I already sensed that the story is going to be very dark, but I wasn’t prepared at how gruesomely dark the story is.
At one point, I actually flinched when the author described the last moments of this one poor, poor character. Was it over the top? Perhaps. Did the character deserve it? Perhaps not. But my theory is that the graphic depiction was used to justify whatever was to come (dun-dun-duuun!). This effectively puts the reader in an ethical and moral quandary (that is if you’re like me who gets too involved in stories like this).
What’s great is that even DS Imogen Grey and DS Adrian Miles are in that same predicament. So yeah, we’re all in the same boat.
Although, it’s easy to get hooked, there’s a lot of jumping around between story arcs, timelines, and characters. If you have short-term memory, it can be challenging. (Sorry, Dory, this isn’t for you).
The next hurdle is figuring out who the main characters are. With so many subplots, it’s not unusual to favour one over another and same goes with the characters. So, in my mind, the main characters are those that stand out because their stories are more fleshed out than the others.
Readers might be put off by this but I’m actually on board this “chaotic” non-linear storytelling. What’s important to me is if the author can tie up loose ends and deliver that “payoff”. Done and done.
And when the bad guys are extremely bad, you’d appreciate how things have turned out. ★★★★ 4/5
Here's my attempt at stop motion.
Review copy provided by the publisher via NetGalley.com